SỞ GIÁO DỤC ĐÀO TẠO BÀI THI THỬ KỲ THI TỐT NGHIỆP TRUNG HỌC PHỔ THÔNG ĐỀ CHÍNH THỨC NĂM HỌC 2017- 2018 (Đề gồm có 04 trang) MÔN TIẾNG ANH ~ MÃ ĐỀ 001 8 Thời gian: 60 phút - không tính thời gian giao đề Mark the letter A, B, C, or D on your answer sheet to indicate the word that differs from the other three in the position of primary stress in each of the following questions. Question 1:A. phonetics B. semantics C. statistics D. politics Question 2:A. complain B. remain C. maintain D. fountain Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions. A DANCER'S LOT 1. All across London, they emerge from underground stations and buses; bags slung over their shoulders and taut stomachs beneath thick winter overcoats. Nobody recognises them, as they head for freezing upstairs rooms in tatty gymnasiums or slink into backstage theatre doors, even though they appear regularly in sold-out musicals and favourite television shows. They earn precious little, even those who perform live with famous singers, and have no real prospects, doing what they're doing, despite having hustled and sweated themselves to the heights of one of Britain’s most demanding professions. But still they go, every morning, to their grim upstairs rooms in gyms and their backstreet, backstage doors, to dance. 2. Most have left behind worried parents in faraway towns and villages; made repeated promises to look after themselves and taken trains, in their late teenage years, for London. There's much to despise about the city, where talent and a reptilian grade of resilience, although prerequisites, provide no guarantee of success. Even auditions are becoming rare. Conscious of deadlines and financial constraints, choreographers call in talent from the blessed pool of their own chosen. If you aren’t the right height, don’t have the right face, hair or sartorial style, then don’t expect a look in. Although choreographers occasionally seek out the beautiful, they’re mostly instructed to hunt the bland: those least likely to outshine the stars. And, as many dancers will tell you, it's getting to the point where mediocrity is acceptable; there'll be someone over there out of sync, someone over there who can't hold her arm still. 3. And if they get a part, increasingly dancers are turning up for jobs where the choreographer just stands there and works them endlessly, fingers clicking: 'Again, again, again'. As one dancer Melanie Grace says, 'You dance for the love and the canteen - and the pay's lousy. But you have to ignore it, keep your head down. You're in London now. You’re one of many; one of nothing. The sooner you accept that, the better you'll get on. Of the fleets of talented dancers who try, only a quarter make it, the rest simply can't process the ruthlessness - to dance in London is hard on the soul. 4. Yet most of the dancers have agents, who you might think would negotiate a better fee or conditions for their dancers, but no. You’ll never meet a dancer who thinks their agent deserves their twenty percent cut of the fee. Mostly you’ll just get a text or email notifying you of an audition and a single agent might have as many as two hundred dancers on their books. As Melanie says,‘It's catch-22, because you won't hear about the auditions without one.’ Here’s the job, take it or leave it, and if you leave it, they’ll just hire someone straight out of college and pay them even less. 5. Oh, the annual churn of the colleges. The dancers hear it constantly, the sound of the machine in the distance, its ceaselessly grinding gears that, with every coming year; push out hundreds of new dancers, each one younger and hungrier and less jaded than you. And with every release of fresh limbs into the stew of the city, things get harder. The worst thing the kids can do is accept a job for no pay. They do it all the time. One website has become notorious for television and pop-video production companies scrounging for trained people to work for nothing but‘exposure’. And if the youngsters are fresh out of dance school, despairing of their blank CV and craving the love of those ranks of sparkle-eyed strangers, they'll leap at the chance. It's the reason things are getting harder How to describe the London dance scene today? The word Melanie chooses is ‘savage’. [From”EXPERT PROFICENCY’, Student’s Book, Pearson, 2015] Question 3: What do we learn about auditions in the second paragraph? A. Increasingly higher standards are expected of dancers. B. The best dancers do not necessarily get the jobs on offer. C. Dancers with family connections in the businessget invited to more. D. It's difficult for dancers to find the time to attendvery many. Question 4: In the first paragraph, the writer paints a picture of dancers who are..... A. careful not to be recognised by fans in the street. B. hoping to find work on stage alongside established stars. C. deserving of the fame they have achieved. D. unlikely to be making further advances in their careers. Question 5: What is implied about choreographers in the third paragraph? A. They dislike it when dancers criticise each other. B. They are sensitive to the pressures that dancers are under. C. They are intolerant of dancers who make mistakes. D. They expect dancers to do as they are told. Question 6: The writer uses the image of a machine in line 3 to underline...... A. the constant supply of new talent. B. the exploitation of young people. C. the dubious activities of a website. D. the attitude of training institutions. Question 7: In the text as a whole, the writer is suggesting that dancers in London..... A. should be rewarded for dedication and perseverance. B. have to regard the experience as useful for the future. C. have to accept the realities of a competitive industry. D. should demand much better pay and working conditions. Question 8: The word ‘scrounging’ is closest in meaning to..... A. seeking B. demanding C. begging D. training Question 9: What point is made about agents in the fourth paragraph? A. Dancers are largely satisfied with their service. B. They tend to represent only the less experienced dancers. C. They make every effort to get the best deal for dancers. D. Most dancers recognise that they are essential. Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions. Question 10: 'Did you remember to lock the door this time?' ~ 'Oh yes, ......I did.' A. once B. at once C. only once D. for once Question 11: I'm really sleepy today. I wish I.......Bob to the airport late I night. A. didn't take B. hadn't had to take C. didn't have to take D. weren't taking Question 12: The death........in the weekend's traffic exodus has risen to sixteen. A. mark B. rate C. toll D. score Question 13: ......all his work and family problems, he'll have a nervous breakdown one of these days. A. What for B. What as C. What if D. What with Question 14: 'Do they still take John to school in their car?' ~ 'No, he's......now to ride his own bike to school.' A. too old B. enough old C. very old D. quite old enough Question 15: I feel washed out. I......do any more work. A. don't think I B. don't think I'll C. think I won't D. think I wouldn't Question 16: I've had bad news of Joseph's......by the company. A. sacking B. having sacked C. given the sack D. having been given the sack Question 17: The idea of killing animals for food is abhorrent.......me.' A. in B. for C. to D. at Question 18: We want everyone to begin the test........ A. simultaneously B. continuously . C. indefinitely D. unexpectedly Question 19: 'What else did he say?' 'Other.......that he'd be away for a month, nothing.' A. for B. than C. except D. from Question 20: I think that the tourist industry will lose most of its workers......the oil industry.' A. from B. in C. by D. to Question 21: I'm so tired I think I'll probably.........off in the cinema. A. doze B. fall C. nod D. sleep Mark the letter A, B, C, or D on your answer sheet to indicate the word(s) CLOSEST in meaning to the underlined word(s) in each of the following questions. Question 22: The opposition was in full cry over the changes to the education bill. A. demanded strongly B. discussed eagerly C. shouted head-off D. criticized noisily Question 23: I tried to hail her from across the room. A. greeted B. called to attract attention C. pursued D. ignored Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct word or phrase that best fits each of the numbered blanks. TECH MUSIC SCHOOL London's Tech Music School has an unrivalled track record. Since its foundation in 1983, it has ...(24)... out some of Europe's best-known musicians, including Marina Diamandis of Marina and the Diamonds, Frank Colucci and Radiohead's Phil Selway, to ...(25)... but a few. The school offers the next generation of performers training from industry professionals, and ...(26)... strong connections with the music industry. Recent guest tutors have included musicians who have worked with the likes of Stevie Wonder and Robbie Williams. In addition to courses in performance skills, the school offers a Diploma in Commercial Music Production. This course provides students with hands-on training in areas such as song-writing and the composing of music for film and TV. Meanwhile, the Diploma in Music Business gives students the chance to ...(27)... a thorough grounding in business principles whilst working alongside artists, record labels and the music press. With such courses on offer, the school is ...(28)... a microcosm of the music industry, where it is possible to be at the cutting ...(29)... of the latest techniques and developments. Question 24:A. turned B. checked C. passed D. carved Question 25:A. call B. say C. name D. refer Question 26:A. boasts B. flaunts C. brags D. touts Question 27:A. gain B. win C. grasp D. capture Question 28:A. exceptionally B. especially C. eventually D. effectively Question 29:A. edge B. verge C. margin D. fringe Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions. AT HOME WITH BOOKS In an age when literature is increasingly going digital, books hold a curious role in some people's homes. There are few purchases which, once used, are placed on proud display and carted round as families move from place to place. And yet that's precisely what sometimes happens with books, despite the existence of a digital equivalent. After all, both the music industry and other aspects of the print media have felt the heat of virtual competition - why not books? Part of the explanation for this may lie in the fact that, when it comes to the crunch, nosing around someone's bookshelves is interesting. 'You can tell a lot about someone by their collection of books,' says Doug Jeffers, owner of a London bookstore. It's not just the quantity of titles on display, however, that speaks volumes; generation, occupation, political leanings, leisure pursuits (even where they go on holiday) - clues to all of these abound, if you care to analyse the contents of someone's bookshelves, and even casual visitors aren't slow to form judgements. Evidence of this manifested itself when the President of the USA made an informal call on the English Prime minister at home recently, and for some reason the pair posed for photos in the kitchen. One of the snapshots was subsequently released to the press, and widely published. There then ensued much speculation as to how the complete works of Shakespeare had ended up on the shelf in the background rather than a cookery book. Household stylist Abigail Hall agrees, 'I often style houses for sale and you'd be amazed how important the contents of the bookcase can be.' Apparently, people use such clues to form judgements about the type of person who lives in a property that's up for sale, and this may affect how they feel about going ahead with the purchase. Perhaps we all seek out others whose tastes in such matters match our own, and we can imagine living happily In a space that like-minded people have made homely. And even if we're not thinking of putting our home on the market, instinct tells us that however much they were enjoyed, paperbacks read on the beach might be better put away in a cupboard, whilst the unopened classics are destined for display. For the interior designer, however, the art of reputationmanagement-via-bookshelf is not the only issue. Books can also become an interactive display tool. 'They can almost be sculptural in that they offer a physical presence,' explains Abigail Hall. 'It's not just about stacking them on a bookcase, it's how you stack them. I've seen books arranged by colour, stacked on top of each other. Once I saw a load of coffee-table books piled up to become a coffee table in themselves. Books define a space, if you have some books and a comfy chair, you've immediately created an area.' It's a trick of which countless hotels, cafes and waiting rooms for fee-paying clients are only too aware. Placing a few carefully-chosen books atop coffee tables is about creating an ambiance. No one actually engages with the content. And this principle can be transferred to the home 'I've not actually read any of them. I just love the bindings.' So said the actress, Davinia Taylor, earlier this year when she decided to put her house on the market - complete with its carefully-sourced collection of classic books. Rarely removed from their perch on a bookcase in the living room, their primary purpose was to disguise Taylor's walkin fridge. And so, with the fridge no longer destined to be a feature in her life, the books were deemed redundant. Perhaps, then, the future of books lies in this. With more and more being bought in the undeniably handler digital format, the first casualties of the tangible variety are likely to be the beach-read paperbacks - the ones that, if you invite Abigail Hall around, would be relegated to the garage anyway. But given the uses to which we put our other tomes - whether they're deployed to show off, look pretty, or create an atmosphere - the odds of them hanging around look good. The kudos of great work is still there, and there's nothing like being, and being seen to be, in possession of the real thing. Question 30: Davinia Taylor no longer wants her books because...... A. she accepts that they don't reflect her taste in reading. B. she feels they are an integral part of the house she'sselling. C. she realises she selected the titles for the wrong reasons. D. she has no use for them beyond their current purpose. Question 31: The idiom “when it comes to the crunch” is closest in meaning to...... A. when we have nothing to eat B. when we care about books C. when the occasion appears D. when we have to make a decision Question 32: What is implied about interior designers in the fourth paragraph? A. They sometimes show a lack of respect for the true function of books. B. They are likely to underestimate the impact of the content of books. C. They regard books as little more than additional pieces of furniture. D. They understand the effect of books on the users of spaces they create. Question 33: In the final paragraph, the writer expresses...... A. a personal preference for books in digital format. B. regret that the content of all books is not more valued. C. a hope that attitudes towards books will be different in the future. D. optimism regarding the future of non-digital books. Question 34: In the first paragraph, the writer is...... A. drawing our attention to an ongoing process. B. questioning our assumptions about people's behaviour. C. outlining the reasons for changing priorities. D. seeking to account for a seemingly illogical attitude. Question 35: What does the mention of political figures in the second paragraph serve to illustrate? A. the importance of background detail in photography B. the public's curiosity about celebrity lifestyles C. the false impression that can be gained from books on display D. the extent to which books tend to attract people's attention Question 36: Abigail Hall’s experience suggests that the books on show in a house for sale...... A. may not be as representative of the owners' taste as people assume. B. can create an affinity between sellers and prospective buyers. C. could mislead people into buying an unsuitable property. D. might help buyers to assess how keen the owners are to sell. Mark the letter A, B, C, or D on your answer sheet to indicate the sentence that best completes each of the following exchanges. Question 37: ~ Susan: “Oh, good! You’re here.” ~ Betty: “......................” A. Never mind. I’m ready to help. B. Anything new? I was so busy. C. Sorry. I’m late. D. I was just about to call you. Question 38: ~ Alice: “.................” ~ Tom: “Sorry. I’m broke, dear.” A. Look, Tom. What happned to my laptop? B. Could you give me a lift to the shopping centre, Tom? C. On the way home, remember to cash this cheque for me, Tom. D. Could you buy me some ice-cream, Tom? Mark the letter A, B, C, or D on your answer sheet to indicate the word whose underlined part differs from the other three in pronunciation in each of the following questions. Question 39:A. prune B. rune C. tune D. brunette Question 40:A. sow B. brow C. glow D. show Mark the letter A, B, C, or D on your answer sheet to indicate the word(s) OPPOSITE in meaning to the underlined word(s) in each of the following questions. Question 41: I'm sure she tells Ruth everything we say - they're as thick as thieves, those two. A. in secret B. close-knit C. on good terms D. at logger-heads Question 42: The lorry was lodged in a very precarious way, with its front wheels hanging over the cliff. A. firm B. relentless C. careful D. secure Mark the letter A, B, C, or D on your answer sheet to indicate the underlined part that needs correction in each of the following questions. Question 43: Did you agree to your father on which flight you should travel? A. should B. to your C. on D. which flight Question 44: He likes both living abroad as well as living at home. A. likes B. at home C. living D. as well as Question 45: I noticed that the new couple next door not to be at home last week. A. not to be at home B. next door C. last D. noticed Mark the letter A, B, C, or D on your answer sheet to indicate the sentence that is closest in meaning to each of the following questions. Question 46: It doesn't matter to them which film they go to. A. Which film they go to matters more than the cost. B. They haven't a good taste for films. C. No matter what film are shown, they never go. D. They don't mind which film they go to. Question 47: If Dad could have repaired the roof, he wouldn't have called in a builder. A. The roof was so bad that it couldn‘t be repaired. B. Dad didn‘t ask a builder to repair the roof. C. The roof was repaired by a builder. D. Dad could repair the roof himself and did so. Question 48: Never has anyone spoken to me like that! A. Everyone speaks to me that way. B. I never speak that way. C. No one speaks to me that way. D. Some people always speak to me that way. Mark the letter A, B, C, or D on your answer sheet to indicate the sentence that best combines each pair of sentences in the following questions. Question 49: Dad prepared some food on a plate. His pet cat was waiting. A. Dad prepared somecfood on a plate for his pet cat waiting. B. While Dad prepared some food on a plate, his pet cat was waiting. C. Dad prepared somecfood on a plate, whereas his pet cat was waiting. D. Dad prepared some food on a plate because his pet cat was waiting. Question 50: He found a job in an IT company. He got married two years later. A. He got married two years after he he found a job in an IT company. B. He found a job in an IT company then he got married two years later. C. First he found a job in an IT company, then he got married two years later. D. After he found a job in an IT company, he got married two years later. The End SỞ GIÁO DỤC ĐÀO TẠO BÀI THI THỬ KỲ THI TỐT NGHIỆP TRUNG HỌC PHỔ THÔNG ĐỀ CHÍNH THỨC NĂM HỌC 2017- 2018 (Đề gồm có 04 trang) MÔN TIẾNG ANH ~ MÃ ĐỀ 002 Thời gian: 60 phút - không tính thời gian giao đề Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions. Question 1: The death........in the weekend's traffic exodus has risen to sixteen. A. score B. mark C. toll D. rate Question 2: The idea of killing animals for food is abhorrent.......me.' A. at B. for C. in D. to Question 3: I think that the tourist industry will lose most of its workers......the oil industry.' A. to B. from C. by D. in Question 4: I've had bad news of Joseph's......by the company. A. given the sack B. having been given the sack C. sacking D. having sacked Question 5: 'What else did he say?' 'Other.......that he'd be away for a month, nothing.' A. except B. from C. for D. than Question 6: ......all his work and family problems, he'll have a nervous breakdown one of these days. A. What for B. What with C. What as D. What if Question 7: 'Did you remember to lock the door this time?' ~ 'Oh yes, ......I did.' A. for once B. at once C. once D. only once Question 8: We want everyone to begin the test........ A. indefinitely B. simultaneously C. unexpectedly D. continuously . Question 9: 'Do they still take John to school in their car?' ~ 'No, he's......now to ride his own bike to school.' A. enough old B. very old C. quite old enough D. too old Question 10: I'm really sleepy today. I wish I.......Bob to the airport late I night. A. weren't taking B. didn't have to take C. hadn't had to take D. didn't take Question 11: I feel washed out. I......do any more work. A. don't think I B. think I wouldn't C. don't think I'll D. think I won't Question 12: I'm so tired I think I'll probably.........off in the cinema. A. fall B. doze C. nod D. sleep Mark the letter A, B, C, or D on your answer sheet to indicate the word(s) CLOSEST in meaning to the underlined word(s) in each of the following questions. Question 13: I tried to hail her from across the room. A. ignored B. greeted C. pursued D. called to attract attention Question 14: The opposition was in full cry over the changes to the education bill. A. criticized noisily B. discussed eagerly C. demanded strongly D. shouted head-off Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions. A DANCER'S LOT 1. All across London, they emerge from underground stations and buses; bags slung over their shoulders and taut stomachs beneath thick winter overcoats. Nobody recognises them, as they head for freezing upstairs rooms in tatty gymnasiums or slink into backstage theatre doors, even though they appear regularly in sold-out musicals and favourite television shows. They earn precious little, even those who perform live with famous singers, and have no real prospects, doing what they're doing, despite having hustled and sweated themselves to the heights of one of Britain’s most demanding professions. But still they go, every morning, to their grim upstairs rooms in gyms and their backstreet, backstage doors, to dance. 2. Most have left behind worried parents in faraway towns and villages; made repeated promises to look after themselves and taken trains, in their late teenage years, for London. There's much to despise about the city, where talent and a reptilian grade of resilience, although prerequisites, provide no guarantee of success. Even auditions are becoming rare. Conscious of deadlines and financial constraints, choreographers call in talent from the blessed pool of their own chosen. If you aren’t the right height, don’t have the right face, hair or sartorial style, then don’t expect a look in. Although choreographers occasionally seek out the beautiful, they’re mostly instructed to hunt the bland: those least likely to outshine the stars. And, as many dancers will tell you, it's getting to the point where mediocrity is acceptable; there'll be someone over there out of sync, someone over there who can't hold her arm still. 3. And if they get a part, increasingly dancers are turning up for jobs where the choreographer just stands there and works them endlessly, fingers clicking: 'Again, again, again'. As one dancer Melanie Grace says, 'You dance for the love and the canteen - and the pay's lousy. But you have to ignore it, keep your head down. You're in London now. You’re one of many; one of nothing. The sooner you accept that, the better you'll get on. Of the fleets of talented dancers who try, only a quarter make it, the rest simply can't process the ruthlessness - to dance in London is hard on the soul. 4. Yet most of the dancers have agents, who you might think would negotiate a better fee or conditions for their dancers, but no. You’ll never meet a dancer who thinks their agent deserves their twenty percent cut of the fee. Mostly you’ll just get a text or email notifying you of an audition and a single agent might have as many as two hundred dancers on their books. As Melanie says,‘It's catch-22, because you won't hear about the auditions without one.’ Here’s the job, take it or leave it, and if you leave it, they’ll just hire someone straight out of college and pay them even less. 5. Oh, the annual churn of the colleges. The dancers hear it constantly, the sound of the machine in the distance, its ceaselessly grinding gears that, with every coming year; push out hundreds of new dancers, each one younger and hungrier and less jaded than you. And with every release of fresh limbs into the stew of the city, things get harder. The worst thing the kids can do is accept a job for no pay. They do it all the time. One website has become notorious for television and pop-video production companies scrounging for trained people to work for nothing but‘exposure’. And if the youngsters are fresh out of dance school, despairing of their blank CV and craving the love of those ranks of sparkle-eyed strangers, they'll leap at the chance. It's the reason things are getting harder How to describe the London dance scene today? The word Melanie chooses is ‘savage’. [From”EXPERT PROFICENCY’, Student’s Book, Pearson, 2015] Question 15: In the first paragraph, the writer paints a picture of dancers who are..... A. deserving of the fame they have achieved. B. unlikely to be making further advances in their careers. C. hoping to find work on stage alongside established stars. D. careful not to be recognised by fans in the street. Question 16: The writer uses the image of a machine in line 3 to underline...... A. the exploitation of young people. B. the attitude of training institutions. C. the dubious activities of a website. D. the constant supply of new talent. Question 17: The word ‘scrounging’ is closest in meaning to..... A. begging B. seeking C. demanding D. training Question 18: What is implied about choreographers in the third paragraph? A. They are sensitive to the pressures that dancers are under. B. They expect dancers to do as they are told. C. They dislike it when dancers criticise each other. D. They are intolerant of dancers who make mistakes. Question 19: What point is made about agents in the fourth paragraph? A. Most dancers recognise that they are essential. B. They make every effort to get the best deal for dancers. C. Dancers are largely satisfied with their service. D. They tend to represent only the less experienced dancers. Question 20: In the text as a whole, the writer is suggesting that dancers in London..... A. should be rewarded for dedication and perseverance. B. have to accept the realities of a competitive industry. C. should demand much better pay and working conditions. D. have to regard the experience as useful for the future. Question 21: What do we learn about auditions in the second paragraph? A. Increasingly higher standards are expected of dancers. B. It's difficult for dancers to find the time to attendvery many. C. Dancers with family connections in the businessget invited to more. D. The best dancers do not necessarily get the jobs on offer. Mark the letter A, B, C, or D on your answer sheet to indicate the word whose underlined part differs from the other three in pronunciation in each of the following questions. Question 22:A. show B. sow C. glow D. brow Question 23:A. tune B. prune C. brunette D. rune Mark the letter A, B, C, or D on your answer sheet to indicate the word(s) OPPOSITE in meaning to the underlined word(s) in each of the following questions. Question 24: I'm sure she tells Ruth everything we say - they're as thick as thieves, those two. A. at logger-heads B. in secret C. on good terms D. close-knit Question 25: The lorry was lodged in a very precarious way, with its front wheels hanging over the cliff. A. secure B. careful C. firm D. relentless Mark the letter A, B, C, or D on your answer sheet to indicate the sentence that best completes each of the following exchanges. Question 26: ~ Susan: “Oh, good! You’re here.” ~ Betty: “......................” A. Never mind. I’m ready to help. B. Sorry. I’m late. C. Anything new? I was so busy. D. I was just about to call you. Question 27: ~ Alice: “.................” ~ Tom: “Sorry. I’m broke, dear.” A. Could you give me a lift to the shopping centre, Tom? B. On the way home, remember to cash this cheque for me, Tom. C. Could you buy me some ice-cream, Tom? D. Look, Tom. What happned to my laptop? Read the following passage
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